Download PDF Sword Song, by Rosemary Sutcliff
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Sword Song, by Rosemary Sutcliff
Download PDF Sword Song, by Rosemary Sutcliff
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From Publishers Weekly
For all the rough edges in Sutcliff's posthumously published novel, it nonetheless brings far-off times, peoples and places vividly to life. As the story opens, 16-year-old Bjarni Sigurdson is banished for five years from Rafnglas (for killing a man who kicked his dog), a Viking settlement in the Lake Country of present-day England. Bjarni becomes a mercenary swordsman, first shipping out to Dublin with a merchant, then attaching himself to various historical Viking leaders as they raid, fight and carouse (the Norsemen drank a lot of ale) through the Hebrides, Orkney Islands and northern Scotland. Shipwrecked in Wales, he is rescued by and in turn rescues the healer Angharad, whom he ultimately brings home to Rafnglas as his bride. A foreword notes that Sutcliff always wrote her books in three drafts, and that she was midway through the second for this novel when she died in 1992. Perhaps that explains why this third-person retelling of Norse Atlantic sagas at times seems curiously detached and episodic, in marked contrast to the smoothly paced first-person narrative of The Shining Company, published two years before her death. Studded with dashes and ambiguous pronouns, the sentences are often Jamesian in length and a glossary is sorely lacking (though there is a nicely detailed map). This may be best suited for more mature readers, but adolescents, especially boys, will likely identify with the protagonist, whose hot temper is his worst enemy, and fans of Viking lore will not be disappointed. Ages 10-up. Copyright 1998 Reed Business Information, Inc.
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From School Library Journal
Grade 7 Up-Exiled from his home for five years, 16-year-old Bjarni Sigurdson is forced to support himself by becoming a mercenary. Although he is young and untried, he sells his sword service first to Onund Treefoot and later to Thorstein the Red, Norse chieftains who have settled in the islands west of Scotland. With his black dog Hugin in tow, the young man learns the ways of the sea and of warfare as he follows these men in battle and in peace. After five years, he decides to return home, but is cast ashore during a violent storm for one final adventure. The action-filled plot develops coherently and is less episodic than those of many journey tales. Bjarni is an appealing, well-rounded character whose growth and development keep the story focused. His early experiences are those of an adolescent, as he chases after Onund's enemies. Thorstein is involved in more serious matters, making treaties and establishing settlements, and Bjarni, too, becomes more reflective, considering his behavior and his future plans. Sutcliff wrote historical fiction as if she lived it, and this book is no exception. Particularly interesting is her portrayal of the coexistence of the old religion of the Norsemen and that of the White Christ. Although the author did not complete the final draft before her death, this is a well-crafted story that will appeal to sophisticated readers. In places the language is slightly less polished than usual, and Bjarni's final adventure is not as well integrated into the plot as the earlier ones, but still, this is vintage Sutcliff.Barbara Scotto, Michael Driscoll School, Brookline, MACopyright 1998 Reed Business Information, Inc.
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Product details
Hardcover: 288 pages
Publisher: Farrar, Straus and Giroux (BYR); 1st edition (October 27, 1998)
Language: English
ISBN-10: 0374373639
ISBN-13: 978-0374373634
Product Dimensions:
5.5 x 1.2 x 8.5 inches
Shipping Weight: 12.8 ounces
Average Customer Review:
4.7 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#886,961 in Books (See Top 100 in Books)
This is a very well-crafted book. Altho it's classed as a young adult book, don't let that stop you from reading it as an adult. There's a lot of subtlety in the characters and setting that make it gripping for an adult reader. One of the best things about it is how authentic both the literary voice is, and the characters themselves are. Sutcliff restrains herself from editorial comment, sly juvenile humor at the expense of the characters, and from victimizing her characters by making them speak anachronistically to comment on OUR time from THEIR time. All things that Bernard Cornwell and so many others are very very guilty of.She also respects her characters as people. She respects their time as "just another time and place" without judging it or commenting on things we don't really want to know. In short, her voice as author is itself in character with the time, and you feel like SHE was there, and that you just happen tobe reading it a 1000 years later. It reminds me of actual Viking / Nordic sagas in its dry humor, sparse dialogue, and quick action. Also, there aren't endless paragraphs about nature, just enough to give you a feel for the place and the season.It's a pity that more of this type of work isn't written, but read it for yourself as most libraries carry it.
Rosemary Sutcliff will always be one of my favorites. I am seventeen and been reading them for around seven years. (The first year may have been more like listening :>) This story is great. I love how her books aren't a series, yet some of them are connected. This one is connected to The Ninth Eagle and The Silver Branch and The Lantern Bearers. Her books are not about the romance though they usually have a girl. This one I think is especially sweet in "the girl" area. I started to read these not to long after Chronicles of Narnia. I will always love the Chronicles , and they have some amazing truths in them that you understand more as you grow older, but they are directed to a younger adience. Don't get me wrong, I love the Chronicles, but I don't think I'll ever get too 'old' for Sutcliff's 'young adult' books. I am a Christian and read few non-Chritian books outside of school reading unless I deem them Appropriate. :) I reccomend these books to everyone. they are such a good read.
Great read!
Rosemary Sutcliff writes fantastic historical fiction
Impeccable research as always by Rosemary Sutcliff. This is a "Young Adults" book but I enjoyed it as much as I ever did when young. I felt "transported back" and enriched by it.
I bought this book as part of a home schooling curriculum for my ten-year-old son. Although the book is recommended for young adults, my son reads on a much higher grade level than most of his age group. That being said, he still wanted this to be a duet read;I would read for a while, then he would. It's a challenging read, but well worth the effort. We had been studying Vikings in our history lessons, and I chose this book as the companion reading for these lessons. It really brought home the tumultuous, often violent, and complex times of the Viking world. I highly recommend it.
Rosemary Sutcliff's fleshing out of Kipling's fictional treatment of British history (Puck of Pook's Hill), concludes with Sword Song. Chronologically, her stories range from the Iron Age just before the Romans came, to the English Civil War, although it appears she did not write them in that order.Her books are called "young adult" novels because the themes are simple and the good guys are generally good, while the bad guys have little to recommend them. There is violence--she writes of dark times--but no sex.The bulk of her stories are on the edge of the Roman Empire, either geographically, taking place on the fringes of Britain, or in time, as the Empire disintegrates. In either case, individuals have to take care of their own business.Most young adult novels have as their primary theme the change from child to adult through danger and difficulty.Sutcliff's characters face dangers, and, most importantly, do so voluntarily. There are any number of times when they could choose to retreat, but go forward, for honor, for their friends, or for an ideal.This, I would submit, is a terrifically important lesson to teach. Current pop literature for children seems to be trying to emulate Catcher in The Rye, where a perpetual loser is....a loser. Losers seem to be heroes.In Sword Song, the young man leaves home due to having accidentally killed a man. It's clear that Bjarni has a good deal too much energy, not enough judgment, and perhaps doesn't even know enough to be afraid. Not surprisingly, he finds work as a hired sword, although he begins to give his loyalty to one of his employers, and gets loyalty back.Later in the book, he is trying by himself, with no friends at his back, to facilitate the escape of a woman, herself an outcast, from danger. To do so, he has to back off from an encounter, to keep from being discovered. He informs the woman that for her he has, for the first time in his life, run from a fight. We all make sacrifices in our way and Bjarni is now growing up. He will fight, in the future, we don't doubt, but with somewhat more discernment.The scope of the book is around the littoral of the British Isles, as Bjarni is a fighting man on the ships of various Isles warlords.I would strongly, highly, unreservedly recommend any parent to supply Sutcliff's books to any child from about age fourteen on. The inevitable difficulty is that the parent is going to have to teach a history course in order to place the story in our own world. Given the state of education these days, without that primer, Sutcliff's stories might as well be fantasy or science fiction.It is too bad. Sutcliff's stories tell important lessons about how we came to be who we are; through the stubborn courage of ordinary people facing extraordinary circumstances.We are not through needing such people,and, although a number of Sutcliff's people are military, many are not. She tells us that we have to look to ourselves as we are, and not necessarily to depend on others who, as when the Empire fell, are no longer available.In addition to the lessons which I, at an advanced age think are important, I can also say the stories are terrific reads. Sutcliff is particularly good on the seemingly unimportant detail which sets a scene and draws the reader into her world.
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